I am 30 years old from Denmark.
Music and sound have always been a central part of my life.
After graduating high school in 2015, I began my musical journey as a guitarist in a professional band. This experience introduced me to the many elements of music, which became the foundation of my career.
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• Sound production: Studio recordings, studio techniques, and live productions.
• Tools: Working with DAW’s, both analog and digital tools.
• Creative processes: Creating and tailoring unique sonic universes.
• Projects: Four albums, multiple collaborations, tours and countless concerts, which strengthened my teamwork skills and social competencies.
I have also worked with sound design, podcasts, music for a motion picture and behind-the-scenes content for our Patreon and YouTube. I edited tour vlogs and produced remixes using stems from our tracks, which were featured on our digital platforms.
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In 2022, I made the decision to part ways with the band to focus on my personal growth and future. My experience has taught me to be curious, solution-oriented, and unafraid of new challenges. I am passionate about exploring new areas within sound and music, and I bring a broad sonic interest and enthusiasm to every project I work on.
Currently, I am studying sound design at Sonic College where im expanding my creative skills and exploring new sonic possibilities.
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• Creating a productive and professional work environment where quality and collaboration are key.
• Bringing ambition, responsibility, and a positive mindset that inspires those around me.
• Demonstrating strong teamwork and communication skills while taking responsibility for tasks and projects.
I see myself as an engaged and curious person who always strives to learn more and perform at my best. My passion for sound and music is my foundation, and I am ready to take the next steps in my career.
From 2015 to 2022, I had the privilege of playing guitar for CABAL, a professional metal band known for its crushing soundscapes and unrelenting energy. My experience with them not only honed my skills as a guitarist but also shaped my understanding of working with professional musicians, sound design, production, and the intricacies of crafting impactful music.
During my time with CABAL, I had the opportunity to remix several of our tracks, reimagining them using individual stems to craft dynamic reinterpretations while staying true to the band’s signature intensity. Beyond sound design, I also contributed to the visual side by assisting in editing tour vlogs, including the one above.
These experiences allowed me to merge audio and visual storytelling.
In 2016, I helped create soundtracks for the movie “I Work Alone” produced by N. Christensen.
Here I will showcase projects I have worked on during my time
studying sound design at Sonic College, UC Syd.
This was our first exam at Sonic College. The goal was to produce a track while getting hands-on experience with the recording studio, outboard gear, and different mic’ing techniques (including recording “gang” vocals in the big live room).
Since I’m a bit of a memory hoarder, I made a short 1-minute video to capture the experience.
The task was to create an individual sound design for this shortfilm, focusing on the sounds of objects being shot into the air and falling back down.
The main goal was to make the sounds humorous and design them as a modern take on classic slapstick effects.
The task was to create a sound design for a scene from Blue Velvet, working with both realistic and non-realistic layers.
I aimed to build a natural atmosphere with mysterious, creepy undertones by using crows and ravens. Their calls gradually intensify and move closer in the stereo field, creating rising tension and unease as the scene develops.
For this task I edited and designed sound around a man’s story about his Robinson experience, aiming to give it a humorous twist. I drew on what we learned in class: cutting interviews down to the most engaging moments, using pauses for timing, shaping the dramaturgy, and layering sound design to support the story.
The task was to design a sonic logo for The Brain Prize based on brand analysis and creative interpretation. I combined what I had learned in class with my own intuition, balancing theory, brand values, and my gut feeling while working in the DAW to create something that felt both meaningful and authentic.
The Brain Prize – The world’s largest prize for outstanding contributions to neuroscience.
Mammut – Clothing Brand.
Float – Fictional sensory deprivation tank company.
Fedex – Radio commercial for delivery.
The objective was to create a complete sound identity for Dansk Blindesamfund, including multiple sound products such as sonic logos, brand music, navigation sounds, and a podcast teaser. The project also included a written assignment and an oral presentation to demonstrate both creative and theoretical understanding.
Dansk Blindesamfund is a Danish organization that supports blind and visually impaired people. They work to improve living conditions, create community through activities and courses, and raise awareness to gain political and financial support.
Brand logo 1
Brand logo 2
Brand music
GPS – “Destination approved”
GPS – “Continue”
GPS – “Going astray”
GPS – “You have arrived at the reception”
Podcast teaser – “Den Usynlige Biograf”
Yap yap yap yap
https://youtu.be/pZFIZc0g25w